Mushroom Club - Volume 04
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Mushroom Club, Volume 04 gathers up every mood the series has wandered through so far and lets them sit side by side. It opens in familiar territory — sunlit hillsides thick with mushroom towers, daisies, and dragonflies — then drifts through a misty morning garden dressed in tall pink spires, before the light shifts entirely for a hushed, moonlit scene where dark topiary cones stand guard under a cratered moon. From there the volume climbs higher still into pale, cloud-soft skies, and finally lands somewhere stranger: a garden ruled over by a great flowering face known as the Godflower, followed by a tangled, overgrown roadside plot where a single monarch butterfly has found its way in.
Where earlier volumes leaned into one mood at a time, Volume 04 feels like the mushroom-built world catching its breath and taking stock — daylight to dusk to something closer to myth. The dragonflies and ghostly butterfly silhouettes that have followed this series from the start make their return, but they're joined here by new company: real, solid creatures instead of shadows, and eventually a face carved right into the flowers themselves. It's the most varied chapter of Mushroom Club yet, equal parts cozy and uncanny.
That range makes this a good volume to shop by mood. The bright, busy pieces — the daisy hillside, the morning mist garden, the tangled roadside plot — hold up beautifully on posters, where all that detail gets room to spread out, and shrink down nicely onto stickers for anyone who wants a little piece of the garden to carry around. The quieter, more atmospheric images — the moonlit garden, the sky-soft "Big Sky Country," and especially the Godflower — feel right at home on phone cases, where their stillness and strangeness can travel with you.
A hillside built entirely from stacked mushroom caps rises toward a pale sky, its slopes thick with white daisies, curling ferns, and glassy green tendrils. Two blue-bodied dragonflies hover at the base while a pair of ghostly butterfly silhouettes drift overhead like watermarks against the clouds — a quiet reminder that this garden has more company than it first lets on.
It's a bright, busy composition with a lot of small details to discover, which makes it a natural fit for posters, where the full mushroom tower and its daisy border can really spread out. The dragonflies and daisy clusters also crop nicely into their own stickers, and the piece works well as a phone case for anyone who wants a pocket-sized version of the garden.
The same mushroom-tower silhouette returns here, but softened under a hazy blue-grey sky and crowded with tall spires of pale pink blossoms climbing up between the caps. The effect is closer to a formal garden caught in early fog than a wild hillside — everything a little quieter, a little more composed.
The soft, misty palette makes this one especially well suited to posters and phone cases, where the muted blues and pinks can carry the whole design without needing bold color to stand out. The flower spikes alone also make a lovely, simple sticker for anyone drawn to the softer end of the Mushroom Club palette.
Here the mushroom hillside gives way to drifts of pink lily-like blooms, with two dragonflies resting low among the caps and a trio of translucent butterfly shapes hovering in a sage-green sky. It's a denser, more layered scene than the volume's opening piece — less a single tower and more a whole garden bed caught mid-bloom.
The rich detail and layered pinks and greens make this a strong poster candidate, letting the full garden read as one continuous scene. The dragonflies crop especially well for stickers, and the piece's calmer color story also makes it a nice, less-busy option for a phone case.
Night falls in this piece, with a pale, cratered moon hanging over dark, cloud-streaked sky. Below it, a row of dark green topiary cones stands like sentries among mushroom caps, with spires of blue and blush-pink flowers threading up between them — the volume's first real departure from daylight.
The moody palette and strong silhouette make this one particularly well suited to a phone case, where the dark tones and glowing moon read cleanly at a smaller size. It also holds up as a poster for anyone wanting a quieter, more atmospheric addition to the Mushroom Club wall lineup, and the topiary shapes alone make for a striking, minimal sticker.
The palette shifts again here, into pale, watery greens and soft-focus clouds that make the whole scene feel almost painted in watercolor. A cluster of spiraled, castle-like mushroom forms rises at the center, flanked by tall blue lupine-style spikes, with the sky itself doing as much visual work as the garden below it.
This piece's soft, airy quality makes it a natural poster pick — the kind of image that benefits from a bit of wall space to really breathe. It also translates well to a phone case for anyone drawn to its calmer, more ethereal end of the Mushroom Club spectrum, and smaller crops of the spiral mushroom cluster work nicely as a sticker.
The volume's centerpiece: a large flower rendered as a face — part lion, part deity — set inside an ornate stone archway and flanked by four smaller flower-faces peering out from the border. Daisies fill the ground below, and a scroll-like banner across the bottom simply reads "The Godflower," giving this piece a folkloric, almost storybook-shrine quality unlike anything else in the volume.
Because it's such a striking, self-contained image, it works especially well as a poster where its symmetry and detail can be fully appreciated, and just as well as a phone case for something a little more unusual to carry. The central face alone also makes a bold, eye-catching sticker for anyone who wants the volume's strangest piece in miniature.
A dense, almost pattern-like tangle of greenery fills this piece — diamond-shaped hedges, daisies, and small blue and pink blooms all overlapping in a way that feels overgrown rather than planted. Along the bottom edge, mushroom caps peek out from the growth, and a single monarch butterfly — solid and real this time, not a shadow — rests near the center, grounding the whole scene.
The intricate, repeating detail makes this one a great fit for posters, where the full pattern can unfold across the wall. The monarch butterfly crops beautifully as its own sticker, and the piece's busy, textured look also makes for a distinctive phone case for anyone who wants something a little wilder than the rest of the volume.